Nov 11, 2009
Big masks, little masks…I’m going to be living in mask-land for the next several months as I take LOTS of pictures of mini-masks I’ve collected over the last ten years of Internet swaps and use Adobe Photoshop and its clipping mask and layer masks in order to get all the pics ready for placement (using Adobe Indesign) in the upcoming book from PolyMarket Press titled “A Collection Of Polymer Clay Masks”. Over the last two years, many artists have also submitted images of full size (wearable size) masks also made using polymer clay, and now that I have a computer with enough memory and the programs to put it together, I’m ready to pull all the details together and lay out this book. The goal is to have it all done by the end of summer, so I have a LOT to do, but I’ve already begun! I haven’t done a final count yet, but I know there are at least 400 of the miniature masks, and I’m thinking of how to divide them up into chapters as I don’t want to do them chronologically. So far I’ve come up with “animal, vegetable, mineral, traditional and fantasy” and I’m starting there—if I do all the photos and there are some that don’t fit in those catagories, I will have to change or add, but I think that covers a lot!
My classes in school in digital photography, Photoshop, Illustrator, and InDesign are all a vital part of learning how to self-publish beautiful and informative books, and yesterday’s InDesign class covered how to build an Index–vital info for this new book, and I’ve begun to build one with the artists’ names who’s work appears in the book–there’ll be more than a hundred for sure, probably more.
I think its very important for an an artist who is writing a book to have their work at its best on the cover, but in thinking about it over the last several months I’ve realized that this one is NOT a book about my work so much as it is about this fabulous collection and the medium of polymer clay. The book itself is my featured work this time, and I want it to look its best. Once I knew that, it was obvious to me that the image of Katherine Dewey’s Noh Maiden mask (full size) was needed on the front cover. There are hundreds of beautiful mask images in my files already, and more to shoot—but this image is a fave. I moved my Time Mask from its previous spot on the front to the back, and added some of Melanie West’s mini masks as well. The pics shown here are not quite finalized…but as a Work In Progress, they are ALMOST there, and I’ll be sure to show of the final versions next summer when all is done. For now, here’s a peek at the front and back so far! (editors note–I just put up the revised versions 11-14)
Oct 11, 2009
Judith and I are the two and the show is the 37th annual International Quilt Festival in Houston Texas at the George R. Brown Convention Center, October 14-18. We’ve done this show for several years now and love it. The fabrics, tools, embellishments and beautiful work are astounding in amount and variety!
We’ll be there in booths #1848 and #1850, with Fun Polymer Clay Jewelry By Judith Skinner and Sarajane’s Polyclay Gallery. We’re bringing jewelry, beads, faces, spirit doll kits, face bags, dyed textiles, millefiore slices and cabochons, paper dolls, and of course BOOKS! We’ll even autograph ’em.
We made a vow at this show last year that we’d have all our files converted and be globally distributed through Ingram Book Company, and we got it done. Now they are available through sources like Amazon.com and PolkaDotCreations.com and of from us directly.
Learning how to best use the right software like Adobe InDesign, Photoshop, and Illustrator as well as Microsoft Word has taken up most of my creative time this year but now we are ready to go forward with new books, like Judith’s “The Art Of The Blend” and my two books on polymer clay masks.
I did manage to get in a few weeks of dyeing and fabric painting while on break between semesters, and it all does seem to add up, particularly when I try to pack it all into the luggage and haul it around! There are thousands of booths with an incredible variety of vintage and new items, and the explosion of color and creativity there is incredibly energizing and exciting. I’ll be sure to talk about it here in upcoming posts.
Please do come and see us at the show if you are there and say hello!
Aug 14, 2009
On our PolyMarket Press side of things, work is progressing on new books. In 2010 we will see the debut of two new books from me–
Making Faces, Molds & Forms and The Art of Polymer Clay Masks. Learning a lot more about using programs like Adobe Photoshop, Illustrator and InDesign has been keeping me very busy this year, and now I’m focusing on using them to produce new books. I’ve assembled a fabulous array of hundreds of images from polymer clay artists who create masks, and I am looking forward to sharing them all in print.
Judith Skinner is also beginning work on her new book about the Skinner Blend, the variations of it and the many uses it has for polymer clay. There is a tentative publication date set for Fall 2010. If you are a polymer clay artist who uses this technique and you’d like to submit images for consideration, contact me at sarajane@polyclay.com Judith is seeking the best that’s out there with high resolution images (300ppi) in a size format to fit within a 9″x7″ pages. Submission deadline is March 2010, which gives you all some time to get pics of your best pieces that make use of the Skinner Blend technique. Contact the email above and I’ll respond with the full information letter.
Images will be edited as needed to fit. Each artist will be credited by name so include that along with information as to the size and listing of all media used. Since it was first developed and shared with the polymer clay community, artists around the world have been using this color gradation technique in amazing ways. Just wait till you see the variety gathered into one great book!
Aug 1, 2009
In the most recent polymer clay miniature mask swap (an annual event prized by all who participate) I not only traded my own masks for a collection of 100 wonderful miniatures made by others, I also received some great goodies as gifts!
Patty Barnes did an entire collection of vibrant butterfly masks and all ten were different.
She’s using a transfer technique and embellishing with sequins and swarovski crystals. It was very hard to choose, by my efforts were rewarded with not just one, but an additional butterfly mask as a gift. It made it easier to let the others fly on to their new homes!
Rebecca Wells- Stout sent an additional mask as well, and I love the extruded red hair on this one! She’s beautifully fierce. Rebecca has used slices of canes and crystals to dress her up.
Rev. Byrd Tetzlaff sent along this colorful character that she calls “Charlie Chaplin on acid” and I can see exactly why she’d say that! I’m told the man had a great deal of energy and was a colorful character himself but not as much as this version, which I like very much!
These are only a few of the hundreds of masks that I’ve collected from my years of making and swapping miniature polymer clay masks. Next up for Fall semester at college I’ve arranged an independent study course to combine my Adobe InDesign, Photoshop and Illustrator classes and skills into creating new books, and the mask book is one of the projects involved. So after having a delay of more than a year, I’ve got the tools and the skills and (hopefully) the time all coming together to allow me to work on this long awaited project!! Stay tuned for more developments as they happen.
Jul 20, 2009
and never leave the farm!” is the way I recall that refrain. What song its from is a little hazy, but thats the way summertime and songs ’round the camp fire can be. This year we’re embarking on a World Tour while staying cozy right at home, thanks to the fine folks at TwistedPapers and their fabulous cds! Stan and Russell have put together outstanding collections of all sorts of vintage and original art that can be used in all sorts of creative ways. Shown here are three cds from their Vintage Travel Ephemera Collections. Tickets, maps, menus, hotel brochures, cruise line posters and an incredible array of advertising art from long ago and far away are reproduced in high quality, full color, high resolution files. Thumbnails are easy to view, and you have your choice of file formats too. My husband is using them as part of his musical “world tour” and I have plans to print out a sheet of these little beauties to decorate some vintage luggage for Aunt Acid, and also a charm necklace or bracelet–these images are perfect for printing at a smaller size on photo paper and using liquid polymer clay to create transfers. The collection of vintage perfume, soap, and beauty product labels is another of my favorites. Many thanks to Stan and Russell for creating and selling these fabulous resources. Take a look at their site and see what YOU could do with these vintage graphic goodies! (I just went there now, and they’ve added new vintage art and reduced their prices too!!! What a deal!)
