2012 was filled with lots of learning curves; the final arc of some and the beginnings of others, plus lots that are ongoing.
I’m blessed with creative family and friends, and together we got a lot accomplished and have all sorts of plans for things to do in 2013, including school, art, writing and publishing. Last year a group of us took a local class and learned bead crochet. Some good friends in Houston gifted me with a kumihimo disc and bobbins when I was there and assured me it was fast and easy, and they were right!
I’d say that kumihimo with beads is at least four times faster than bead crochet, but both have different good points that mean I’ll be doing some of each in the future. I look forward to trying crochet lace using wire and beads.I like the look of my hand-dyed silk ribbons and beads in braids also. They look great with my little faces and hands, especially when combined with a bit of seed bead embroidery, a little beaded fringe…
I’m having a lot of fun trying different variations of fibers, ribbons, chain and cord and using some of the wonderful beads I’ve collected over the years with the idea of making some beautiful necklaces to display my work. You have to have samples if you want to sell components!
Crochet and kumihimo braids both make great beaded ropes for using with large focal beads and pendants—like the ones I make using polymer, ceramics, metal and my friend Mad Margie’s fused glass. The two blue and black cords shown here will go with one of her dichroic glass pendants. The black and cream spiral will probably go with a face pendant…or perhaps an etched metal hand. I have etched metal ends and clasps made from bronze and silver to use with them too. I love how things all come together, eventually.
I’ll be putting finished jewelry with dyed textiles made into wraps, and I’ll take more pics when it is done. I’ve even got plans for professional art photographer Ricardo Acevedo to do a shoot this year–but first, I have a lot of finishing up to do. I get to bring together so many different creative techniques and processes, with lots of color, pattern, and texture. What a great recipe for a happy new year!
I’ve switched from the active production of masks, faces, and beads to taking pictures and editing, racing towards my deadline to put together “A Collection Of Polymer Clay Masks” and have it in print by Halloween. It can be done!!–but only if I put in some serious Photoshop hours. So that’s what I’m doing; going through miniature polymer clay masks I’ve made and collected since 1997.
In the process of participating in and hosting “swaps” for these among polymer clay artists around the world, I’ve amassed an amazing grouping of these little beauties–each measured to fit inside a 3 inch square.
After I photograph them, my husband will mount them all in framed pieces for display. We have one such piece with over 50 masks–now we’ll have several, and we’ll be doing a gallery showing along with the book when its all said and done. The book will also include photographs of full sized masks contributed by artists for this publication.
As I was going through my carefully wrapped boxes and bags of masks, and going through my file folders on the computer, I found images I took during a tutorial by Donna Kato and Shane Smith. They had been making mini-masks using scraps of canes, and didn’t have enough leftover bits at this point at our retreat, so they made a cane up special for it, and then Shane made some masks to show us how they were done. We each got a few inches of the cane to play with, and I got their permission to do a tutorial with the photos. I’ve got a “Making Faces and Figures” book planned out and in the works, but its not the one I’m working on now–it’ll be a companion to this one that will show how-to, and I that is NEXT years’ project. For now, here’s a look at the cane that started these masks, and the finished pieces by Shane. Thanks so much to Donna and Shane!
On our PolyMarket Press side of things, work is progressing on new books. In 2010 we will see the debut of two new books from me–
Making Faces, Molds & Forms and The Art of Polymer Clay Masks. Learning a lot more about using programs like Adobe Photoshop, Illustrator and InDesign has been keeping me very busy this year, and now I’m focusing on using them to produce new books. I’ve assembled a fabulous array of hundreds of images from polymer clay artists who create masks, and I am looking forward to sharing them all in print.
Judith Skinner is also beginning work on her new book about the Skinner Blend, the variations of it and the many uses it has for polymer clay. There is a tentative publication date set for Fall 2010. If you are a polymer clay artist who uses this technique and you’d like to submit images for consideration, contact me at firstname.lastname@example.org Judith is seeking the best that’s out there with high resolution images (300ppi) in a size format to fit within a 9″x7″ pages. Submission deadline is March 2010, which gives you all some time to get pics of your best pieces that make use of the Skinner Blend technique. Contact the email above and I’ll respond with the full information letter.
Images will be edited as needed to fit. Each artist will be credited by name so include that along with information as to the size and listing of all media used. Since it was first developed and shared with the polymer clay community, artists around the world have been using this color gradation technique in amazing ways. Just wait till you see the variety gathered into one great book!
In the most recent polymer clay miniature mask swap (an annual event prized by all who participate) I not only traded my own masks for a collection of 100 wonderful miniatures made by others, I also received some great goodies as gifts!
Patty Barnes did an entire collection of vibrant butterfly masks and all ten were different.
She’s using a transfer technique and embellishing with sequins and swarovski crystals. It was very hard to choose, by my efforts were rewarded with not just one, but an additional butterfly mask as a gift. It made it easier to let the others fly on to their new homes!
Rebecca Wells- Stout sent an additional mask as well, and I love the extruded red hair on this one! She’s beautifully fierce. Rebecca has used slices of canes and crystals to dress her up.
Rev. Byrd Tetzlaff sent along this colorful character that she calls “Charlie Chaplin on acid” and I can see exactly why she’d say that! I’m told the man had a great deal of energy and was a colorful character himself but not as much as this version, which I like very much!
These are only a few of the hundreds of masks that I’ve collected from my years of making and swapping miniature polymer clay masks. Next up for Fall semester at college I’ve arranged an independent study course to combine my Adobe InDesign, Photoshop and Illustrator classes and skills into creating new books, and the mask book is one of the projects involved. So after having a delay of more than a year, I’ve got the tools and the skills and (hopefully) the time all coming together to allow me to work on this long awaited project!! Stay tuned for more developments as they happen.
Click the pic to see a larger version.
These whimsical wonders are 10 more miniature polymer clay masks from the 2009 Internet Mask Swap. Created by Ellen Bellenot Rumsey, these little works of art are each small enough to fit in a three inch square. She’s used an amazing array of textures and colorful pearl-ex powders. The mica in the powders and in the gold polymer clay give it all incredible glowing lustre.
I’m taking a few hours away from my school work to catch up on taking pictures from the Mask Swap and from the Dyeing Days. These are two huge annual events that take around a week to put together and somehow managed to both happen within a month of each other this year, and along with going back to school full time. We got tremendous amounts done and both events went very well, but I havent had any time to chronicle and share the results.In fact, the massive amount of reading and computer time I put in for the 4 classes I’m taking leave my eyes feeling as though they look very much like the ones in these masks.
I’m going to play hooky from homework once in a while and get some pictures up, so look for more soon! IS it playing hooky to take pics and edit them in photoshop when your classes are in digital photography and photoshop2? hmmm, perhaps I should take an ethics class and see if my homework there answers the question there…