May 16, 2009
Whew! What a huge undertaking, and what wonderful, amazing small rewards! I mean small as in “miniature”, or specifically “fits inside a three inch square” (more or less). Several years ago I was invited to take part in a Polymer Clay Miniature Mask Swap by Sherry Bailey. I was in one of the several groups, and sent in my masks. Shortly thereafter I got my box of goodies, and kicked myself all around the room for not having been in every group—there were pictures included and I missed out on some real gems. I vowed never to repeat THAT mistake! And also to be in another mask swap ASAP. I ended up taking over the job and expanding the number of participants (my artistic greed knows little about bounderies or sensible work loads in some areas…)
So for the last few years, there’ve ben annual swaps that attract wonderful artists who ALSO want collections of these minimarvels. When announced, interested parties sign up for one, two, or three groups of ten. The SwapMistress (thats me, in this case) keeps track of who signs up, and fills the groups. We do a total of ten groups of ten people. For each group, the participant sends in ten masks, all signed/with a card and bagged. When they are all here, my husband and I alphabetize the incoming boxes for easier finding, and then start filling up Group Bags by lining up the brown paper lunch bags. Starting with 10 bags marked “A” we check the All Powerful List and take out each participant’s set one at a time–If Mary is in group A, we put one of her masks in each bag, and the same with the other 9 participants. At the end, each person in Group A will get a Group A bag mailed back to them, containing one of their own and one of each of the other 9 people’s masks. Sounds fairly simple, right? It kindof is…except then we do it for B, C, D, E, F, G, H I and J groups. This generally takes a full day–there are a thousand little masks. Then, the next day, my dear sweet hubby and I start packing boxes. If Mary was in Group A, D and F, we pull an A, D and F bag and put it aside for her in a grocery bag marked with her name and the groups (cross checking is pretty important!! ) with the mailing lable and postage she sent. This also takes a day or so…and then there’s the packing and sealing of the boxes, and three hours or so at the Post Office.
I, being the SwapMistress and therefore In Charge, get to violate the “three groups” thing and be in ALL ten groups. This is great because I get to keep one from every person in every group–no more missed gems!! Except of course for the people that make it harder to choose by sending ten that are all different for their sets. Then I still only get to keep one, but I DO have the opportunity to unbag and photograph them all, then rebag before putting them into the group bags. So I say it again—its a huge undertaking, but OH-so-worth-the -effort. I end up making and giving away 100 miniature masks, and getting 100 masks to keep. All are individual works of art showing a vast array of techniques. All have miniature size and polymer clay in common, and “masks” as a theme, but all are astoundingly different interpretations of that theme. I will be photographing the collection that I have gathered over this decade, and putting them in a book, but I’ll share a few of them here on this blog, and you can see some masks from previous years here.
The group of ten Warm and Cool Masks shown above was sent in by Karen Cowles. The two masks below made using the alcohol inks on polymer clay were sent in by Nina Owens. The light was fading and I only had time to take a few pics. I took more the next day, so watch for future posts! You can also see more at other participants’ blogs like these by Laurel Steven and Tonja . Click the pics to see them larger.
Feb 20, 2009
“You are what you love–and not what loves you back”.
That’s so true–and its also part of a line from a song by Jenny Lewis and the Watson Twins from a CD that I really love, “Rabbit Fur Coat”. It is a delightfully witty and beautifully played set of songs. I’ used to love to listen to music and do my homework….Recently I went back to college after a long winter break that lasted 30 some years. I’m enjoying all of my classes, especially learning about Adobe Photoshop and Illustrator. What wonderful tools!! I’m learning a lot of things that I had no clue about in these programs; some of the tools just don’t lend themselves to easy self-discovery. Even reading about them isn’t the same as having someone show you what the tool does and how it works and then practicing it for a while. Oh, the joy of realizing that something you’ve been frustrated at can indeed be done!
Now I am doing something I really love a lot; taking bits and pieces of art that I have and re-contextualizing them in new ways. Collage and mosaics and masks and miniatures and textiles and image manipulation all play a large part of “what do you do?” for me, and its wonderful to be moving into the next layer of “how do you do that?”. School can be really illuminating; and it certainly lights up lots of new creative connections, even in older brains like mine! Using what’s old and making it new again is what creativity is all about. Here’s a recent assignment; a collage that uses Photoshop layers and masks, plus a quote. It features a doll (BonBon Bertie) and her setting that I made with fabric and FIMO polymer clay photographed by Bob Grieser back in 1999, and other images–plus the quote by Jenny Lewis!
You can see more dolls here, and at Aunt Acid’s blog.
Aug 17, 2008
Book Cover–Making Faces Molds & Forms, originally uploaded by sarajane helm.
This is the front cover of my newest book–“Making Faces Molds & Forms”
It is a how-to guide to sculpting faces from polymer clay and using 2part RTV silicones to make molds; and thats just a start! Then I show how to use the molds to make many different faces, and use them in doll making, altered art, collage, jewelry, and more.
This book will debut in late October 2008, in time for the International Quilt Festival in Houston Texas.
(Its ALMOST finished!!)
Jul 25, 2008
I went to Jackson Mississippi and conducted a week long seminar at Tougaloo College Summer Art Colony where we explored the uses of polymer clay. We had a wonderful time!
The only “downside” to the week were travel oriented, and even that wasnt too unexpected or awful. My luggage is ALWAYS gone through, so I’m careful to put all my blades in metal tool boxes (lunchboxes from
American Science and Surplus ) that have a flat magnet on the lid. Meant to hold a business card, I put these magnets on the inside of the lid, and they do a great job of holding all the extremely sharp blades flat to the surface so that nobody gets hurt. The pointed sticks, though, people will just have to watch for themselves when rummaging through my things. And the multiple X-Acto knives, and the cookie cutters…. Ok, so I have potentially dangerous luggage. I find it to be MOST dangerous when I’m hauling both 49 pound check-in bags and my 30 pound carry-on and the ten pound purse by myself across the concourse, trying to make it to the next stop. A pasta machine can leave a pretty good bruise, if you arent carefull! But the BIGGEST danger was to my luggage itself this time. After 5 years of vigorous travel experiences, my favorite toolbox got a little smashed. Its fixable—just a few pieces broke, includint the nose of the face. I was wondering when it WOULD break, actually! We tell students about “The ToyBox Test” in which I rated the strenghths of various brands of clay by making miniature teapots and putting them in my son’s toybox with the tonka trucks, etc. and then checking on them several weeks later. The FIMO and CFC (this became Premo) teapots were OK, the Cernit teapot had a ding in its spout, and the Sculpy teapot was some colorful chunky dust on the bottom of the box. This test can also be done as The Bottom Of The Purse Test for those without a toybox and helpful assistants. Or, The Airport Test! This Premo clay made it through quite a few trips before coming to its smashing conclusion. And since I felt a little bashed myself (can they MAKE those airplane aisles and seats any narrower??) I do understand!
Jun 6, 2008
We’ve had rain all the first part of this week, and we needed the moisture. It is beautiful in a sunny way today, and we’re starting into the annual dyeing days! Today is prep day–I’ll be mixing dyes, and getting them into the bottles. I just ran off the sheets of labels for the plastic bottles. This year we have:
#03 Golden Yellow
#05 Soft Orange
#8A Pagoda Red
#09 Scarlet
#13 Fuchsia Red
#14A Hot Pink
#15 Amethyst
#18A UltraViolet
#19 Plum
#19A Lilac
#21 Teal Blue
#23 Cerulean Blue
#25 Turquoise
#27 Midnight Blue
#28A AquaMarine
#37 Bronze
#44 BetterBlack
#45 Jungle Red
#47 Chartreuse
#50 JadeGreen
#60 Lavender
#62 PeacockBlue
#64 Orchid
#96 Lapis
#97 Citrus Yellow
#105 Pewter
#111 Black Cherry
#112 Periwinkle
#113 GoldenBrown
#115 Eggplant
#118 Yucca
#312 Strongest Red
#510 Basic Brown
We use Procion MX series coldwater fiber reactive dyes. We’ve found that labeling the bottles after mixing them up makes it easier to tell what’s what, when you have lots of colors. We also have bagged swatches (that’s the picture at top) so that we know how the color is going to come out, mostly.
Another good tip I’ll share with you is to mix your dyes with water and then pour through a coffee filter into the bottle, that way those pesky little red or turquoise spots are not a problem.
This year I’m dyeing lots more pieces of turned wood, because I LOVE how last years batch turned out. No ribbons this year–I did a lot of them last year.
They went into the current crop of Spirit Doll Kits along with the cotton and silk fabrics, and polymer clay faces. I’m selling them on Etsy.comwhich is an on-line site presenting handmade and vintage items. I’ll be adding lots more items in the upcoming weeks as I clean out the studio and help fund upcoming shows and projects.
I’ll also be dyeing some t shirt dresses and shorts for my own summertime wardrobe, and backdrop and curtain fabric that will be used in the Aunt Acid Show. They WERE beige muslin–how drab!! They were great when I did out door shows and needed backdrops that did not compete with the displays. But for this particular show, we can take LOTS of color. I’ve been gluing mosaic set pices, and things are coming along splendidly in a visual sense. Now for another big dose of color, and we’ll be onward into the Summer of More Love…and we happen to love art and music and humor, so I’d say these good times to “Be Happening”.
Speaking of summer time fun, I’ll be teaching a week long seminar on using dyed fabrics and polymer clays to make spirit dolls, icons, and masks this summer at Tougaloo College Summer Art Colony. July in Mississippi is time for some HOT ART!!
