In my previous post, I showed the components and green, pearl and ivory beads I picked out for putting together a necklace and earring set or two. I got them made up, and its time to show them off! The first necklace is a chain of beads that are in a harmonious color grouping–a great way to use up beads that are not enough for an entire necklace by themselves. I like the collector’s mode best anyway–a few of these, one or two of those…
The second image shows the etched brass pendant and earring set made up into a set with some hand dyed sari sil ribbon and a hand-formed bronze wire hook and eye clasp. I also wire wrapped a ceramic face with some bronze wire and a bit of the silk fiber fluff–now it is a pendant just waiting for a ribbon or chain.
The third image shows another necklace, made with etched brass using images of vintage foreign stamps. this one also has a hook and eye clasp–very sturdy and easy to make. All these lovely cool greens were fun to bring together. Now I think I will move on to some blues!
There were are many challenges to be met in 2016, and the results of some remain to be seen. The challenge that my beady friends and I undertook turned out really wonderfully. Our group has been beading together for a while, and we share our discoveries of new stitches, new suppliers, and the occasional project.
The parameters of this one when it started last year were that we use the two pieces of fabric and the packet of beads we were given. Anything else could be added..and it needed to end up as a piece of wearable art.
Last week we got together and three of us showed what we had made. We’ve still got several members’ work to be unveiled, and I am looking forward to seeing what they did!
Its astounding that more than a year has gone by since I last posted here. It certainly wasn’t because I didn’t have anything going on! After 14 months of putting together all sorts of details that go into running a Main Street Gallery and hosting different art shows every month, organizing classes and websites for others, I found that I was doing a lot…but with more stress and less and less art. The owners and I had different goals, and came to a parting of the ways.
I learned a great deal, and will take it all with me to the next gallery or retail emporium in my future. I’m already checking into several different ways to integrate creative arts, instruction, and sales into a space in my community, and that’s where the focus will be: creative connections. I love having music, art, film, writing–all sorts of creative things going on, and I love sharing the buzz that you can get going with creativity. Creativity makes every day a little brighter. Perception and communication are my goals, and I promise to keep sharing them, here, there and everywhere.
I’ve moved my studio home just in time to take advantage of the upcoming warmer weather, and I’ve got outdoor classes in shibori, dyeing for textile artists, fabric painting, metal etching and polymer clay coming up. I’m also working on more dolls, and have a new PDF on creating ball joint dolls with polymer clay that is available EXCLUSIVELY through the Polymer Clay Adventure. I’m also back to work on the video for that, now that the studio is set back up at my house.
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I graduated from Front Range Community College with my Media Graphic Design degree, and I’m going to continue taking ceramics, jewelry, and other art class as I can afford them. We have some GREAT classes and instructors there, and I will stay on as a student or community member of the FRCC Art Club. We are seeking new officers there, as Josh and I are no longer full time students on this campus.
One of the things I’m doing in this new year is new art and instruction in a new studio space. Located at 364 Main Street in Longmont, the Kay Carol & Priscila | Gallery and Working Art Studios is home to 4 artists in residence, instructors, art groups and community organizations who meet there, and a gallery plus meeting/classroom/workshop space. I’m very fortunate to be there, and I have started a website there with a calendar and a page that lists upcoming classes and events.
I’ve already had fun with several Spirit Doll sessions, and here you see the new faces and molds I made during the polymer clay face sculpting class. I’m looking forward to using them with polymer, ceramic, bronze and silver in the upcoming months. They’ll be useful in the upcoming Miniature Mask Swap, and in the month long exhibit of masks and art from my PolyMarket Press books in June. That may sound like a long way off, but as I have so many things to make and write about for upcoming books as well as hundreds of masks to mount into large frames, fabric to paint, jewelry to finish and more, it seems like only a few weeks away. However–now I have a workspace in which to do it!
Please do come see me there during open gallery hours 10:40am-4pm Fridays and Saturdays. Or, book a class with a friend or a group. Individual instruction is available as well–we are dedicated to spreading the creativity around.
I’ve switched from the active production of masks, faces, and beads to taking pictures and editing, racing towards my deadline to put together “A Collection Of Polymer Clay Masks” and have it in print by Halloween. It can be done!!–but only if I put in some serious Photoshop hours. So that’s what I’m doing; going through miniature polymer clay masks I’ve made and collected since 1997.
In the process of participating in and hosting “swaps” for these among polymer clay artists around the world, I’ve amassed an amazing grouping of these little beauties–each measured to fit inside a 3 inch square.
After I photograph them, my husband will mount them all in framed pieces for display. We have one such piece with over 50 masks–now we’ll have several, and we’ll be doing a gallery showing along with the book when its all said and done. The book will also include photographs of full sized masks contributed by artists for this publication.
As I was going through my carefully wrapped boxes and bags of masks, and going through my file folders on the computer, I found images I took during a tutorial by Donna Kato and Shane Smith. They had been making mini-masks using scraps of canes, and didn’t have enough leftover bits at this point at our retreat, so they made a cane up special for it, and then Shane made some masks to show us how they were done. We each got a few inches of the cane to play with, and I got their permission to do a tutorial with the photos. I’ve got a “Making Faces and Figures” book planned out and in the works, but its not the one I’m working on now–it’ll be a companion to this one that will show how-to, and I that is NEXT years’ project. For now, here’s a look at the cane that started these masks, and the finished pieces by Shane. Thanks so much to Donna and Shane!