Apr 9, 2010
That’s a line from an old Cowsill’s song, an early Family Band that doesn’t get as much nostalagia air time as say, the Osmond or Jackson Family does now that everybody is all grown up. “She was the flower girl–well, I don’t know just why, she simply caught my eye….”
And here’s my own flower girl, a life-size ceramic mask glazed with cone-06 low fire glazes. I might have to do some more of these big masks as they are indeed fun, though pretty heavy compared to the miniature ceramic masks I make more often. And speaking of those, I am now arranging my summer schedule, and THIS year I’m taking the summer off from school to finish photos and editing for my new book “A Collection Of Polymer Clay Masks”. It is on-track for release this Fall. That’ll keep me busy, and I’ve also scheduled a trunk show and classes at Nomad Beads in Boulder where I’ll be selling miniature ceramic and polymer faces, beads, and more! Come see all the goodies on display Mother’s Day weekend, May 8-9 at Nomad Beads, 1909 9th in Boulder Colorado, and say hi; I’ll be there creating beaded Spirit Dolls and jewelry.
Oct 11, 2009
Judith and I are the two and the show is the 37th annual International Quilt Festival in Houston Texas at the George R. Brown Convention Center, October 14-18. We’ve done this show for several years now and love it. The fabrics, tools, embellishments and beautiful work are astounding in amount and variety!
We’ll be there in booths #1848 and #1850, with Fun Polymer Clay Jewelry By Judith Skinner and Sarajane’s Polyclay Gallery. We’re bringing jewelry, beads, faces, spirit doll kits, face bags, dyed textiles, millefiore slices and cabochons, paper dolls, and of course BOOKS! We’ll even autograph ’em.
We made a vow at this show last year that we’d have all our files converted and be globally distributed through Ingram Book Company, and we got it done. Now they are available through sources like Amazon.com and PolkaDotCreations.com and of from us directly.
Learning how to best use the right software like Adobe InDesign, Photoshop, and Illustrator as well as Microsoft Word has taken up most of my creative time this year but now we are ready to go forward with new books, like Judith’s “The Art Of The Blend” and my two books on polymer clay masks.
I did manage to get in a few weeks of dyeing and fabric painting while on break between semesters, and it all does seem to add up, particularly when I try to pack it all into the luggage and haul it around! There are thousands of booths with an incredible variety of vintage and new items, and the explosion of color and creativity there is incredibly energizing and exciting. I’ll be sure to talk about it here in upcoming posts.
Please do come and see us at the show if you are there and say hello!
Aug 14, 2009
On our PolyMarket Press side of things, work is progressing on new books. In 2010 we will see the debut of two new books from me–
Making Faces, Molds & Forms and The Art of Polymer Clay Masks. Learning a lot more about using programs like Adobe Photoshop, Illustrator and InDesign has been keeping me very busy this year, and now I’m focusing on using them to produce new books. I’ve assembled a fabulous array of hundreds of images from polymer clay artists who create masks, and I am looking forward to sharing them all in print.
Judith Skinner is also beginning work on her new book about the Skinner Blend, the variations of it and the many uses it has for polymer clay. There is a tentative publication date set for Fall 2010. If you are a polymer clay artist who uses this technique and you’d like to submit images for consideration, contact me at sarajane@polyclay.com Judith is seeking the best that’s out there with high resolution images (300ppi) in a size format to fit within a 9″x7″ pages. Submission deadline is March 2010, which gives you all some time to get pics of your best pieces that make use of the Skinner Blend technique. Contact the email above and I’ll respond with the full information letter.
Images will be edited as needed to fit. Each artist will be credited by name so include that along with information as to the size and listing of all media used. Since it was first developed and shared with the polymer clay community, artists around the world have been using this color gradation technique in amazing ways. Just wait till you see the variety gathered into one great book!
Aug 1, 2009
In the most recent polymer clay miniature mask swap (an annual event prized by all who participate) I not only traded my own masks for a collection of 100 wonderful miniatures made by others, I also received some great goodies as gifts!
Patty Barnes did an entire collection of vibrant butterfly masks and all ten were different.
She’s using a transfer technique and embellishing with sequins and swarovski crystals. It was very hard to choose, by my efforts were rewarded with not just one, but an additional butterfly mask as a gift. It made it easier to let the others fly on to their new homes!
Rebecca Wells- Stout sent an additional mask as well, and I love the extruded red hair on this one! She’s beautifully fierce. Rebecca has used slices of canes and crystals to dress her up.
Rev. Byrd Tetzlaff sent along this colorful character that she calls “Charlie Chaplin on acid” and I can see exactly why she’d say that! I’m told the man had a great deal of energy and was a colorful character himself but not as much as this version, which I like very much!
These are only a few of the hundreds of masks that I’ve collected from my years of making and swapping miniature polymer clay masks. Next up for Fall semester at college I’ve arranged an independent study course to combine my Adobe InDesign, Photoshop and Illustrator classes and skills into creating new books, and the mask book is one of the projects involved. So after having a delay of more than a year, I’ve got the tools and the skills and (hopefully) the time all coming together to allow me to work on this long awaited project!! Stay tuned for more developments as they happen.
Feb 10, 2008
I just put up a tutorial page about using my digital camera, a portable studio box from Digital Concepts, and Adobe Photoshop. I use one of Melanie West’s miniature masks from the swap last year to illustrate the setup and the process of fixing images for better use.
This is the setup that I used to do photos throughout the book “Adapting Quilt Patterns To Polymer Clay” and also for photos on my webpages and in upcoming books.
I’ve been doing a lot of work lately taking photos for my own business endeavors including The Polyclay Gallery, and for other clientele locally. Practice and camera familiarity really do help to improve the skills involved and to get me more usable images. And having good lighting sure counts for a lot!
But truth be told, for me it is the Adobe Photoshop program that lets me really make the pictures look much better. No matter what I’m shooting–beads, dolls, jewelry or step-outs to show the process in a tutorial, it is all made better looking with Photoshop. Cropping, resizing, and image editing are only the tip of the iceburg when it comes to this powerful set of tools.
The Adobe Photoshop Elements version contains everything most artist would need for use. Versions like CS2 or CS3 are more powerful by far, but contain much that may not be needed by the individual who just wants to document their work beautifully. Professional graphic artists of all sorts can enjoy a lot of potential in presenting their work if they have good digital images.
I really enjoy my digital camera, whether using it outdoors for the big wide world or indoors for beads, jewelry, masks, and how-to tutorials.
There’s a lot more to come; I’m working on several projects at once. Do take a peek at some of the photos on the links here!
